Details from studios we plan and fit out
These scenes show the areas we work in most: galleries, camera positions, treated rooms and lit sets. Each one reflects a choice made for reliability on air.
Gallery desk with vision mixer and multiviewer
A compact gallery laid out so the director, vision mixer and sound operator can see the same monitoring. Cabling runs are labelled for quick tracing during a live show.
Pedestal camera positioned for a news desk
The camera sits at a fixed mark with room for the operator to move safely. Framing is rehearsed so the presenter looks natural from the first shot.
Treated voice booth for clear speech
Absorptive panels were placed after measuring the room, reducing reflections without deadening the sound. Speech stays natural and consistent from one session to the next.
LED lighting plot over an interview set
Panels are positioned to give soft, even light on two guests and a host. Dimming scenes are programmed so changes between segments take a single button press.
Equipment rack with labelled routing
Each cable is tagged at both ends and the rack is arranged so a faulty path can be isolated quickly. The layout is recorded in a drawing left with the client.
Crew at work in the gallery during rehearsal
A rehearsal with presenters and crew exposes timing and communication problems before transmission. Intercom and run sheet are checked together.