A small Exeter team for live studio work
jurnizo was founded in 2014 to plan and fit out live television studios. This page explains who we are, how we work and what that means for a client.
How a production background shaped the company
jurnizo began in 2014, started by Helen Marsden after many years directing live studio programmes. She had seen how often a good programme was held back by poorly planned rooms and equipment. The company was set up to deal with that side of the work properly.
Helen has directed live studio programmes for more than twenty years, and that experience still sets the tone. Projects are planned from the point of view of the people who will use the studio on a transmission day: the presenter, the director, the operator and the engineer who has to find a fault quickly.
Over time the team grew around the main parts of a studio. Callum Reeve designs signal routing and gallery systems and commissions each installation on site. Priya Nair draws lighting plots and programmes the control desk. Owen Tregear measures and treats rooms so speech stays clear and consistent.
We work for broadcasters, production companies and venue operators planning or upgrading live television studios in the UK. Jobs range from a single voice booth to a complete studio with gallery, lighting and acoustic treatment, and we are open about whether a request suits a team of our size.
Our office and yard are on Quay Lane in Exeter. Being compact means the people you speak to at enquiry stage are the same ones who visit, install and commission. There is no hand-off to a different department, and nobody learns your studio for the first time on the day it goes live.
We would rather explain a decision than hide it behind jargon. Each plan comes with reasons, each system with documentation, and each job ends with a handover so your own staff can run what we have built.
The habits behind a dependable studio
These are the working habits that shape every project, from a first site visit to the final handover. They are what you are paying for beyond the equipment itself.
Services→-
Specified for the job
Equipment is chosen to suit your programmes and your staff, not to fill a catalogue. We explain each choice and what it replaces.
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Tested before handover
Every signal path and backup route is switched and checked on site, so the first live use is not also the first test.
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Briefed operators
Camera operators and gallery staff are walked through the finished system, so the people running it understand it.
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Written down
Plans, routing and run sheets are documented in plain language, giving you something to refer to long after we have left.
What guides decisions on every project
In live television there is rarely a second take, so small habits matter a great deal. Our principles are not slogans on a wall; they decide how we draw a plan, label a cable and write a quotation. They follow from the way our team has worked since 2014.
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Reliability
A studio has to behave the same way on every transmission. We build in tested backup paths, label everything and write down the pre-air checks, so the routine does not depend on one person's memory. Where a design could fail quietly, we would rather add a simple safeguard and tell you why.
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Clarity
You should always be able to see what we propose and why. Quotations state what is included and what would change the cost, plans use plain language, and systems come with documentation. If we are unsure about something, we say so and find out rather than guess.
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Craft
Good studio work is made of careful, repeated details: a well-judged camera position, a measured acoustic treatment, a lighting plot that suits the faces under it. We take time over these, check them in the room and adjust until the result holds up on air.
Describe what you are planning, whether equipment integration, cameras, acoustics, lighting, crew or an audit. We will reply with questions and suggest a sensible next step.
Talk to us about the room, the programmes and the problems
Contact→Get in touch
Write to us: [email protected]